Lucy and Jake, before the strange trip to Jake’s high school, in the living room of his family’s farmhouse. Jake then appears outside a nearby classroom, with Wadley’s score teasing its way to the fore, as two doppelgänger extensions of Jake and Lucy (Broadway dancer Ryan Steele and NYCB soloist Unity Phelan) enter behind Plemons and Buckley, respectively. Here, the two share a touching moment and, out of nowhere, a tearful hug good-bye. When Jake, somehow slapped with a vision of the institution’s elderly janitor spying on them from afar, rushes inside to give him a piece of his mind, Lucy begrudgingly follows suit, only to meet the janitor herself while wandering its empty hallways. ![]() But let’s set the stage anyway, keeping in mind that the identities and visages of those involved seem eerily, constantly in flux: After Lucy (played by Jessie Buckley, who’s listed merely as “Young Woman” in the credits) endures a frighteningly surreal trip to her boyfriend Jake’s (Jesse Plemons) farmhouse to meet his parents (Toni Collette and David Thewlis), their long, wintry drive home inexplicably brings them to Jake’s high school. Suffice it to say, the early events of this movie are never what they seem. Any viewer would be forgiven for wondering exactly what they just watched by the end of its over two-hour runtime, but to hear behind-the-scenes creatives like Walker, production designer Molly Hughes, and composer Jay Wadley tell it, a lot of the answers can be found within the final fantasy ballet sequence itself. ![]() The New York City Ballet soloist is talking about the closing arc of I’m Thinking of Ending Things - but really, he could be talking about most moments of Charlie Kaufman’s head-scratching Netflix feature, adapted from Iain Reid’s 2016 novel of the same name. ![]() “It takes you a second to accept what’s happening.” “It’s very off-putting,” says choreographer Peter Walker. The movie’s choreographer, production designer, and composer insist that the ballet at the end of Charlie Kaufman’s Netflix feature is the key.
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